Details Books Concering Tales of H.P. Lovecraft
ISBN: | 0060957905 (ISBN13: 9780060957902) |
Edition Language: | English |
H.P. Lovecraft
Paperback | Pages: 352 pages Rating: 4.19 | 5749 Users | 200 Reviews

Define Out Of Books Tales of H.P. Lovecraft
Title | : | Tales of H.P. Lovecraft |
Author | : | H.P. Lovecraft |
Book Format | : | Paperback |
Book Edition | : | Special Edition |
Pages | : | Pages: 352 pages |
Published | : | September 19th 2000 by Ecco (first published 1935) |
Categories | : | Horror. Short Stories. Fiction. Classics. Fantasy. Science Fiction |
Relation During Books Tales of H.P. Lovecraft
When he died in 1937, destitute and emotionally and physically ruined. H.P. Lovecraft had no idea that he would come to be regarded as the godfather of the modern horror genre, nor that his work would influence an entire generation of writers, including Stephen King and Anne Rice. Now, at last, the most important tales of this distinctive American genious are gathered in one volume by National Book Award-winning author Joyce Carol Oates. Combining the nineteenth-century gothic sesibility of Edgar Allan Poe with a daring internal vision, Lovecraft's tales foretold a psychically troubled century to come. Set in a meticulously described, historically grounded New England landscape, his harrowing stories explore the collapse of sanity beneath the weight of chaotic events. Lovecraft's universe is a frightening shadow world where reality and nightmare intertwine, and redemption can come only from below. In her preceptive and penetrating introduction, Oates, herself a virtuoso of the Gothic style, explains how Lovecraft's singular talents fused the supernatural and mundane into a terrifying complex, exquisitely realized vision.Rating Out Of Books Tales of H.P. Lovecraft
Ratings: 4.19 From 5749 Users | 200 ReviewsColumn Out Of Books Tales of H.P. Lovecraft
I stopped reading this collection after the fifth story "The Call of Cthulhu." The first two stories--"The Outsider" and "The Music of Erich Zann"--were actually pretty good, if standard genre structure. "The Outsider" in particular read like The Twilight Zone's episode "Eye of the Beholder" from the point of view of a demon.However, once I got to the third story "The Rats in the Wall," I had a faintly sickening feeling I wasn't going to finish the book. As many reviewers here have notedThese stories are florid, overwritten, offensively racist/xenophobic. And they nearly all have the same basic plot.But there's also an odd brilliance to them. They're less terrifying than I expected them to be, but they are fascinating with their revelations of elder beings and unimaginably alien architecture and geometry that's *wrong*. There's a sense of paranoia and of secret truths, and his world-building is very effective. I think my favorite parts were the exploration of the
H.P Lovecraft has to be one of my favorite authors ever, though not for the reasons one might assume. His writing is purposefully archaic, and many of his characters lack any real dimension. The plots of his stories are simplistic and highly predictable, almost formulaic: step one, someone finds something scary. Step two, that someone gets scared. Step three, that someone either dies or goes insane (or both). Many of his stories are blatantly racist and xenophobic, and in his more popular works,

Damn, those tales were damned! After awhile, they began to resemble each other too closely, but I had been waiting to read "The Call of Cthulhu" for a long while and--the experience I must not speak of.
*Special Content only on my blog, Strange and Random Happenstance during Going Gothic (March 2018)The world is stranger than it seems. No one knows this better than those who have been to Miskatonic University. But then, if you've been to this Ivy League school you've probably been there to catch a glimpse of their extensive collection of occult books and are therefore used to the strange. Perhaps you are even hoping to see the famous Necronomicon, capable of summoning the Old Ones. If that is
Wow, each one more disturbing and unsettling than the next: the Outsider, Dunwich Horror, the Outsider, Mountains of Madness, Color out of space...! It's pretty fun to read Lovecraft stories in a collection like this, since they all follow similar themes of cosmic horror, it begins to feel samey, yet it's scary every time. And it's extremely unsettling to keep hearing the elder horrors show up in all the different stories, with no real closure or answers. They could be anywhere.... While I was
There are two central recurring elements in Lovecraft's stories: the academic and the fear of miscegnation. The academic nature of his stories is what causes so many of them to bloat and become glacially slow reads, but at the same time it is essential to Lovecraft's idea of horror: an idea which does not fit into our mental world, which scares even when there is no immediate danger. In a way Lovecraft's stories can be seen even as an assault on academia, showing the limits of the pursuit of
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