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Original Title: Mañana en la batalla piensa en mí
ISBN: 0811214826 (ISBN13: 9780811214827)
Edition Language: English
Characters: Marta
Setting: Madrid(Spain)
Literary Awards: Premio Internacional de Novela Rómulo Gallegos (1995), Prix Femina for Étranger (1996), Premio Fastenrath (1994), Premio San Clemente for Novela Castelá (1996)
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Tomorrow in the Battle Think on Me Paperback | Pages: 320 pages
Rating: 4 | 4380 Users | 455 Reviews

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Title:Tomorrow in the Battle Think on Me
Author:Javier Marías
Book Format:Paperback
Book Edition:Anniversary Edition
Pages:Pages: 320 pages
Published:October 17th 2001 by New Directions (first published 1994)
Categories:Fiction. Cultural. Spain. European Literature. Spanish Literature. Contemporary

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"No one ever suspects," begins Tomorrow in the Battle Think On Me, "that they might one day find themselves with a dead woman in their arms...." Marta has just met Victor when she invites him to dinner at her Madrid apartment while her husband is away on business. When her two-year-old son finally falls asleep, Marta and Victor retreat to the bedroom. Undressing, she suddenly feels ill; and in his arms, inexplicably, she dies. What should Victor do? Remove the compromising tape from the phone machine? Leave food for the child, for breakfast? These are just his first steps, but he soon takes matters further; unable to bear the shadows and the unknowing, Victor plunges into dark waters. And Javier Marías, Europe's master of secrets, of what lies reveal and truth may conceal, is on sure ground in this profound, quirky, and marvelous novel. "Brilliantly imagined and hugely intricate," as La Vanguardia noted, "it is a novel one reads with enormous pleasure."

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Ratings: 4 From 4380 Users | 455 Reviews

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I feel like I can't reasonably rate this book, because a thing happened that's similar to what happened with me and the vegetarian cabbage rolls at the Middle Eastern market by my house.A few months ago, I tasted those vegetarian cabbage rolls for the first time and concluded that they were the most delicious thing I'd ever had in my life. Being as I am, I became completely obsessed and started making long, sweaty treks through the Miami humidity to fetch them, especially once I realized I

Is there a proper definition of a Novel? Anything static and comprehensive? I'm speaking pressed paper here. Tomorrow in the Battle Think On Me is at the core a philosophical question, one which allowed serial permutations. It features well developed characters. The protagonist reflects and remembers as he converses with others. Morality and epistemology dance in lurid circles. The distance between his personal thoughts and his social utterances remain (ever) vast and human. Perhaps that is my

http://msarki.tumblr.com/post/6311454...It was my good fortune to be notified today by my local library that the book I had requested had been delivered to my branch and was available for me to pick up at my earliest convenience. The timing came at no better instant of my day as I was to complete within the hour my first full exposure to the work of Javier Marías. I confess to anyone considering what I might have to say on this matter that the reading of Tomorrow in the Battle Think on Me took

This book is simply unbelievable. The happenings Marias appeals to in order to convey his ideas are quite far-fetched (I also found some of the happenings from A Heart So White, the other book of his I was quite fascinated with far-fetched), but this fact doesnt make it less great. Now, after I have read some of Marias works, I can say that one certainly reads him for the philosophy behind, for the richness of ideas that makes one question human emotions, for the paradoxes he analyses and less

This novel blew me away and I'm still working to fit my pieces together. I got lost into Marías' winding train of thoughts and I'm still trying to find my way back to reality. What was it that I liked so much about this novel? Well, everything: the plot, the subtle humor, the flow of words, the ideas, the profound pondering. I found and lost myself at the same time, and I really can't explain this; if you haven't done it yet, you should read the novel and see for yourself.Marías talks about

4.5. What struck me most in the first hundred pages is how the narrator stands aloof from what occurs and the people involved, describing and speculating with little knowledge. This is both very unusual and very common. It is how we are, it is how we deal with uncertainty and a lack of knowledge, it is even a way we entertain ourselves (and each other). And yet this is an approach that is rarely employed by fiction writers.Its also interesting that a screenwriter (the narrator) employs little

Morpheus sister from the Sandman series reminds us at one point (in Brief Lives I think) that we all know how every story ends. We just tell ourselves we don't to make it all bearable. She is the avatar of Death, so I guess she knows what she's talking about. Javier Marias protagonist of this here story has all the pretending stripped off from his life when a casual romantic encounter ends with the woman dead in his arms. He becomes obsessed not so much with the fragility of existence, but
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